It is the glass that draws me to it and pulls me in. For a hard, immovable medium you can achieve the impressions of movement and texture, both actual and implied, making it irresistibly tactile and interactive. I knew from my first involvement that I was going to continue working with glass. You can trial ideas for weeks or months before finally opening the kiln to see the piece that makes your soul sing. After experimenting for 8 years I have still only brushed the surface of its capabilities but I am finally finding the path that it wants me to take.